![]() ![]() I’m an electronic music producer/enthusiast, I have a home studio and I’ve been following Graham for a while and he is totally right. Merry christmas Graham and keep those articles coming. Tuning a room is a must, however minimal the treatment. I did however notice some comb filtering and flutter echoes on some vocals I did way back when I had no clue about room treatment.Įven with a cardioid mic, some of the room acoustic seeps into your recordings, and if you choose to place your talent poorly in the room you can still record unwanted things.īass building up in corners, flutter echoes, standing waves, phase cancelations and that list goes on. #Acoustica the music room proThe mixes I did in the pro environment did not need any reference check on other devices, it translated well from the get go.Īs for recording in an untreated room or a “home studio” treated room, I do agree that with the proper mic and mic placement you can diminish some of the impairments of these types of environments. I tried mixing the same songs again at home and it took me weeks of checking my mixes in the car, the home stereo, the computer, the iphone, headphones etc. I have done some mixes at Blue Wave studios (Vancouver) in studio B in, took me about 2 hours per songs (had 4 song). But as it pertains to mixing in a untreated room or even a poorly treated room, that room treatment becomes a must. I usually agree with your opinions regarding not getting trapped into buying all this gear when instead you should focus on your methodology and training. Find ways to get around your limitations and focus on what you can control in order to get better sounding tracks. Don’t fight your limitations, but rather embrace them and move on. Remember, you’re already limited in your home studio. not too much or too little bass) you can get closer to a more accurate sound when you’re tracking and mixing. As far as mixing goes, if you can place your monitors in such a way that reference tracks sound their best (i.e.
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